Differences between Manet and Monet
From diff.wiki
Édouard Manet vs. Claude Monet[edit]
Édouard Manet (1832–1883) and Claude Monet (1840–1926) were central figures in the Parisian art scene of the 19th century. Despite[1] the similarity of their names and their friendship, their artistic approaches, subjects, and career paths showed distinct differences. Manet[2][3] is considered a pivotal figure in the transition from Realism to Impressionism, while Monet was a founder and the most consistent practitioner of the Impressionist style. Manet[4] often depicted scenes of modern urban life with a focus on figures, whereas Monet concentrated on landscapes and the changing effects of light and atmosphere.
Comparison[1] Table[edit]
| Category | Édouard Manet | Claude Monet |
|---|---|---|
| Artistic Movement | A transitional figure between Realism and Impressionism. He never[5] exhibited with the Impressionists, preferring the official Salon. | A founder and leading figure of Impressionism. The movement's name was derived from his painting Impression, Sunrise. |
| Subject Matter | Primarily focused on people, portraits, and scenes of modern Parisian life, such as cafés and social gatherings. His works[1] often contained social commentary. | Almost exclusively focused on landscapes, seascapes, and his garden at Giverny. He painted[1] series of the same subject to capture changes in light and seasons. |
| Brushwork | Characterized by loose, direct brush strokes that simplified details, often with strong outlines and sharp contrasts between light and dark. | Employed short, broken brushstrokes and flecks of unmixed color to capture the sensation of light and create a sense of movement. |
| Use of Color and Light | Used a distinctive palette that often featured a bold use of black for contrast, which was uncharacteristic of the Impressionists. | Focused[4] on capturing the transient effects of natural light. He avoided black, creating shadows with color, and often painted on light-colored canvases to enhance brightness. |
| Working Method | Primarily a studio painter who worked from models and sketches. He often[1] spent a significant amount of time on a single painting. | A dedicated en plein air (outdoor) painter. He often worked quickly on multiple canvases at once to match the changing conditions of light. |
| Key Works | The Luncheon on the Grass (1863), Olympia (1863), A Bar at the Folies-Bergère (1882). | Impression,[4] Sunrise (1872), Rouen Cathedral series (1892–1894), Water Lilies series (late 1890s–1926). |
References[edit]
- ↑ 1.0 1.1 1.2 1.3 1.4 "impressionistarts.com". Retrieved January 02, 2026.
- ↑ "artmejo.com". Retrieved January 02, 2026.
- ↑ "quora.com". Retrieved January 02, 2026.
- ↑ 4.0 4.1 4.2 "wikipedia.org". Retrieved January 02, 2026.
- ↑ "wikipedia.org". Retrieved January 02, 2026.
